Kannada Poem’s Recitation:
The slow-paced step is slower now, within doe-
eyes’s about to sprout an anxiousness;
(the fresh-greenness of the body’s faded now.)
Its youth undone, the blood’s red-freshness’
quickly turning old. Coquette who wished to
count the feathers of the flying bird! Your
heart’s as desolate as an empty temple’s show;
sweet murmurs can be born no more;
now grown, you stand past outstretched hand.
Sister, let the day’s fatigue just fade away;
let the soaring hawk not swoop this way
or boy-wind tie you up in impish play.
Don’t visit here, you bee who steals the flower’s
scent; let spring’s desired-success-shower come;
above, let your moon-star act as your home.
English Translation’s Recitation:
(Translated by Madhav Ajjampur)
Poem Details: From the collection, “ಕಾಮಕಸ್ತೂರಿ”, first published in 1934.
I remember being at the 2016 Ranga Ugadi organized by Ranga Shankara, Bengaluru’s best-known theatre space. The year’s theme was Bendre and the centerpiece of the second day’s festivities was a reading session of his poems by various well-known Kannada cultural figures. One of them, I recall, prefaced her reading – of the poem ‘ದಶಾವತಾರ’ – with her description of Bendre as a man with a “ಮಹಾ ಹೆಂಗರುಳು” (mahā heṅgaruḷu), or in other words, “a great woman-like sympathy”.
The poem “ದಶಾವತಾರ (dashaavataara)” – the ten avataara-s – is part of a series of poems called “ಕರುಳಿನ ವಚನಗಳು (karuḷina vachanagaḷu)” – or “words [born] of the gut” – written from the point of view of a mother that relate her various happy and spontaneous exclamations at her beloved infant’s ways and plays. To those who know about Bendre’s growth as a poet, the influence of Rabindranath Tagore’s “The Crescent Moon” on these poems is obvious. (Speaking for myself, the poems in “The Crescent Moon” are some of the most exquisite poems I’ve ever read.)
If the incident mentioned above is relevant, it is because this poem too exemplifies the ಹೆಂಗರುಳು (hengaruḷu) Bendre possessed. While a deep sensitivity characterizes all great poets, Bendre’s sensitivity was (for a male poet) unusually “female directed”. A number of his early lyric poems are either written from a woman’s point of view or are sympathetic responses to a woman’s various life experiences.
It is notable that this is another oct-sestet – one that rhymes this time. You’ll notice that the translation has, in spite of my trying, 15 lines rather than 14. Its rhyme scheme too is different from the original’s. Then again, that’s the reason I prefer to think these poems are as much transcreations as they are translations.
P.S: I think it worth reading this poem in conjuction with this one.
© Madhav Ajjampur
If you have enjoyed this translation and the recitations, I hope you will consider buying my recently-released book (!) of English translations of selected Bendre poems. The book is titled The Pollen Waits On Tiptoe. If you are living in India, you can buy the book by going to this page.
THREE IMPORTANT MATTERS:
1. If you are living abroad, you will, unfortunately, not be allowed to buy the book on Amazon India. Therefore, if you would like one or more copies of the book, please write directly to me (email@example.com) with your details.
2. Buying 10 or more books will entitle you an overall discount of 30%. To avail yourself of this discount, contact MUP directly at firstname.lastname@example.org.
3. The book is also available as an ebook. The app hosting the ebook is called VIVIDLIPI and the book can be purchased at this link. (Since the publisher does not have an agreement with Amazon, I am afraid the book is not available on Kindle.)