The Peacock-Smile (ನಗೀನವಿಲು)

One of Bendre’s poems from the early period, with a wonderfully original conceit. The peacock and the koel serve as metaphors. The language of the original is folksy and abounds in end-rhymes, assonance and onomatopoeia (mina mina mina minchatitta: ಮಿನ ಮಿನ ಮಿನ ಮಿಂಚತಿತ್ತ). Though the onomatopoeia is untranslatable, I have looked to include a measure of assonance and end-rhyme in the translation. The unusual sentence-structure is a consequence of this attempt.

Also, here is a recording of my reciting (singing) the original Kannada poem. The tune, if one is discernible, is Mysore Ananthaswamy’s.

The Peacock-Smile (ನಗೀನವಿಲು)

Woman, upon your lips
Did play a peacock-smile;
Did play a smile, did flee a smile;
Did it look cloudward the while.

A-flash a-flash a-flashed the smile;
Did rise the smile, did fall the smile;
Did fall the smile, did glow the smile:
Did the land and waters gleam the while.

Within your eyes the coloured gaze
Did dance its rhythmic dance;
Did dance and prance; did droop and fade:
Did play coquette at every chance.

Upon the fruit-tree of the mind
Did sit a kóel all alone;
Did sit and never sing a note:
Did gaze on you with look forlorn.

A living life was suffering;
Did wail all through the day and night;
Did wail all through, did flail all through:
Did search for something with its might.

With a rain of tears too
Did it pour forth its woe;
Did pour its woe, did plead its case:
Did wilt when no response did show.

(Translated by Madhav K. Ajjampur)

Poem Details: From the collection “ಗರಿ,” first published in 1932.

Author: Madhav Ajjampur

I'm Madhav, from Bangalore. I write my own poetry in English and translate Shri Bendre's poetry from Kannada into English. (You can read my translations at https://darabendreinenglish.com/). My favourite poets include Yeats, Tagore, Bendre, Dylan Thomas, Emily Dickinson, and Gerard Hopkins. If you'd like to get in touch, do write to me at mk.ajjampur@gmail.com. I'd be very happy to hear from you!

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